AIR 212 · CSE 2025 · GS1 · 60 pages

Yashvardhan Singh: GS1 answer copy

20 answers by Yashvardhan Singh, as written in the test. Each question opens a page with how other toppers answered it.

The questions

The answers

Question 1 · 10 marks · 202 words written

Cave paintings are the visual autobiography of a prehistoric man. What can we infer about prehistoric beliefs and social practices from the cave paintings in India?

Opening · a recent event

Recently, UNESCO added India's Bhimbetka caves in world Heritage list — exemplifying India's rich visual-autobiography culture.

Body · points

Prehistoric beliefs & social practices

(1) Religious practices can be observed in the Mesolithic cave sites where painting depicts a fire altar surrounded by few men and a individual highlighted may be the instructor.

(2) Gender based division of labour Mesolithic & Neolithic cave sites shows women doing household chores like cooking while men hunting animals.

(3) Symbolic representation Buddhist cave sites like Udaygiri-Khandgiri caves shows empty chair, wheels depicting Dharmachakra Parivartana, etc.

Diagram
Lalitagiri /\ / \ / \ /______\ Udaygiri-Khandgiri Ratnagiri diamond Triangle of Odisha

(4) Social practices like dancing & playing Many cave sites depicts children playing or group of people dancing in circles. This shows the social-gatherings followed that time.

(5) Use of natural colours & Aesthetics Cave paintings also shows use of natural colours, showcasing the level of aesthetics and deep knowledge of nature.

(6) Economic practices like hunting & the weapons of the time are also depicted in the caves.

(7) Chaityas & Viharas of Jainism & Buddhism

Close · a summary

Kanheri caves, Pandavleni caves depicts various ritual activities of Buddhism and later jainism by Parivarjika & Shraman.

If art is reflection of society, Indian cave architecture & paintings are the best reflections of the Indian civilisation.