UPSC Mains 2020 · GS I · Q11 · 15 marks · 250 words

Indian philosophy and tradition played a significant role in conceiving and shaping the monuments and their art in India. Discuss.

हिन्दी में

भारतीय दर्शन एवं परम्परा ने भारतीय स्मारकों की कल्पना और आकार देने एवं उनकी कला में महत्त्वपूर्ण भूमिका निभाई है । विवेचना कीजिए ।

How a topper answered the closest question

Toppers wrote this one in a test series: “Indian sculptures are not just an expression of religious traditions but also a reflection of technical brilliance and aesthetic sensibilities of their time. Elaborate.”

Kush MotwaniAIR 11 · CSE 2023 · 375 wordsTheir whole copy

Opening

Sculptures in India since time immemorial have been a reflection of our culture and way of life - technically brilliant, aesthetically sensible, and expression of religion.

Body

Chronologically:

Reflection of religionTechnical brilliance and aesthetic sensibility
1. Eg: Mother Goddess
↓
crude, widespread1. Dancing girl
→ tribhanga pose
→ lost wax technique
→ bangles etc
2. Eg: Priest king
↓
sense of fashion, meditative expression, authority2. Red sand stone torso
→ well proportioned
→ depth effect
→ aesthetically sensible

(II): Mauryan Age

  1. Mother goddess: Legacy of IVC!

  2. Animal sculptures: Eg: 4 lions at sarnath.

  3. Eg: At Ahichhatra, Atranjikhera.

  4. Didarganj yakshini

  5. Yaksha Parkham ↓ reflects court & folk traditions.

  6. Eg: Horse at Lumbini mentioned by Hieun Tsang

  7. Stone sculpture

  • stone elephant at Dhauli

III Post Mauryan Age:

  1. Buddhist sculptures

  2. Gandhara and Mathura school of Art

  3. Amaravati school of Art

  4. Jataka tales

  5. cave sculptures

  • Elephant friezes
  • square plinths
  • umbrellas
  • carved pillars
  1. Greek and Roman styles
  • use of stucco, draped clothing
  • halo, muscular body in Gandhara
  • Smile and inner happiness in Mathura

IV Gupta Age:

  1. Sarnath school. Eg: Hindu gods and Ayudhas

  2. use of various mudras

  3. Abhay mudra - fearlessness

  4. Bronze images of Buddha. Eg: Sultanganj Buddha

  5. Varada Mudra - charity

  6. Dhyan mudra - yoga

V. Medieval India and post-Gupta period

  1. Palas - buddhist bronze sculptures (Bodhisatvas - Tara, Padmapani, etc) → use of lotus, 4 arms, etc
  2. Pallavas and Cholas → extremely fine design, lost wax technique used in temples. Nataraja
  3. Temples - dashavatar, harihara, mahisasurmardini, kalyan sundar, saptamatrika, etc. → diversity of representation → tolerance → all in different designs Eg: varaha avatar of vishnu
  • shown usually holding round earth
  • in MP udaygiri shown holding bhudevi
  1. Bahubali at sravan belgola → large scale (60 ft +)

VI. Modern India

  1. Adi shankaracharya statue
  2. Ramanuja - equality statue
  3. SVP statue by Ram suthar (Statue of Unity)
  4. Parliament statue.

Close

Thus, in each age, sculptures have represented religion, technique and aesthetics

1 more topper’s answer to this question, part by part, and how they all approached it: open the question.

Toppers’ answers to other close questions

Source: UPSC, Civil Services (Main) Examination 2020, General Studies Paper I, Q11. The paper on upsc.gov.in. Themes and links to toppers’ answers are by UPSC Grade, not by UPSC.